If
you are looking for a tear-jerker in this year’s festival, I suggest that you
watch Mariquina.
However,
Mariquina is not just your usual sob story as its aesthetic appeal was far
beyond average. It tells the story of Imelda who finds herself and rediscovers
her marred relationship with her father as she wishes to find the perfect pair
of shoes for the latter's funeral.
The
simplicity of the story matched with a great storytelling and visual impact
made the film beautiful. Milo Sogueco, the director, did not only capture the
perfect picture of a teenage girl disgruntled with the separation of her
parents with reasons unknown to her, but also, the evolution of Marikina (the
shoe capital of the Philippines) from an empire of shoe business that is
socialized properly amongst local shoemakers until it has been demolished by
foreign brands and gigantic monopolized business.
Sogueco’s
extraordinary talent did not stop there as he was able to use the shoes as a
representation of different forms of love in the film. He has this special skill
of combining different elements to intensify or represent emotions. I could
still remember the joy I felt when I learned the significance of the opening
salvo of the film to the its narrative
.
More
so, aside from knowing where your tear glands are, he effectively injected
humor for the audience not to be sucked up in the path of loneliness. I don’t
know if it is good or bad but it is the kind of film that would not bother you once
you get out of the theaters.
The
film’s brilliance is also attributable to the great actors and actresses behind
it. Mylene Dizon establishes her name once again. The nuances, even the
subtlest ones, which she delivered, were right on the dot. She knows how to
bring the audience beside her for them to feel the emanation of her emotion.
Ricky
Davao’s character is the film’s condenser as he would surely make clouds of
tears in your eyes while Dennis Padilla is the film’s jester which broke the
ice of grief and loneliness. Both of them know how to deliver their own
specialty punches – melodramatic and comedic respectively.
Bing
Pimentel’s performance only showed that her number of years in the industry honed
her outstandingly. I have no words to say in the magnificent acting of Che
Ramos given the fact that she has been a household name in the indie film
industry.
Barbie
Forteza was the film’s surprise. Honestly, I did not have any idea of her acting prowess as
I have never watched any of her shows. However, I believe that she could go far with her talent. It
is just amazing how she could deliver big emotions and then shift gears.
The
only thing that I did not like was the addition of the scenes between Forteza’s
character and her male lover. There could have been other ways in
presenting the effects of her character’s depression. It just prolonged the
scene without adding spices to its delectability.
Would I watch it? Yes, if I still have time.
Would I watch it? Yes, if I still have time.
To check the schedules, please click this link: Cinemalaya 2014
Rating: 8.5/10
Photo credits: Cinemalaya, lifestylehub.net
Photo credits: Cinemalaya, lifestylehub.net
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